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LINKS [AB-OC-29] LARKIN GRIMM - The Last Tree CD only $11 USA; $15 World 1. The Last Tree [MP3] 2. Into the Grey Forest, Breathing Love 3. I Killed Someone (part 2) 4. There Is a Giant Panther 5. Little Weeper [MP3] 6. The Most Excruciating Vibe 7. No Moonlight 8. Strange Creature 9. The Sun Comes Up 10. Link In Your Chain 11. Rocky Top 12. The Waterfall Larkin Grimm abducts you into her dreamscape/homeland, hidden behind veils of kudzu and falling water, populated by old friends and deadly monsters. Urgently direct, she is offering us a New World couched in old Georgia sounds: thunderstorms, dulcimers, footstomps, handclaps, and pleading soul-blues. This is not precious forest-pixie music; this is the beautifully flawed sound of the force of Nature, a Siren call to bind all souls and draw them into the deep Woods. [AB-OC-18] LARKIN GRIMM - Harpoon CD only $11 USA; $15 World 1. Entrance 2. Going Out 3. Patch It Up 4. Pigeon Food [MP3] 5. I Am Eating Your Deathly Dream 6. One Hundred Men 7. Future Friend 8. Go Gently 9. Harpoon Baptism 10. I Killed Someone 11. Don't Come Down, Darkness 12. Touch Me, Shaping Hands 13. White Water Larkin's intense, ecstatic voice with swirling multi-tracked patterns recalls the richness of Illuminations-period Buffy Sainte-Marie and the sparkle of Linda Perhacs. Her instrumentation includes duclimer, pennywhistle, bells, drums and guitar. Larkin was previously a member of the Dirty Projectors (Western Vinyl) where she astounded audiences with her mesmerizing voice. She has also played shows with folks such as Entrance, the Microphones, Old Time Relijun and her brother Joe Grimm's project the Wind Up Bird. Larkin also toured with Viking Moses following her performance with him at the Arthur Festival in Los Angeles. Larkin Grimm is a very special artist and Harpoon is a truly magical recording. REVIEWS 'Guiding her way with little more than guitar, dulcimer, and multi-tracked vocals, Grimm here quilts together Born Heller's icy, backwoods songcraft, Jana Hunter's homespun, lo-fi shimmer, and the ecstatic vocal peaks of Christina Carter- the influence of Grimm's roots in the Georgia foothills frequently creep through, lending the music a deep-set, handed-down fiber that sounds at once staunchly traditional yet still somehow quite unearthly.' - Matthew Murphy, Pitchforkmedia 'her voice not only soars high, but swings low and earthy under itself.' - Nick Southgate, The Wire 'these folkish excursions are fraught with translucent hallucinations and nuanced floating smoke dreams. If you could merge Devendra Banhart and Fursaxa into one being; it might sound like this.' - George Parsons, Dream Magazine
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